Relative key | B-flat major |
---|---|
Parallel key | G major |
Dominant key | D minor |
Subdominant | C minor |
Component pitches | |
G, A, B♭, C, D, E♭, F |
G minor is a minor scale based on G, consisting of the pitches G, A, B♭, C, D, E♭, and F. Its key signature has two flats. Its relative major is B-flat major and its parallel major is G major.
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The glass castle. The G natural minor scale is:
Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary. The G harmonic minor and melodic minor scales are:
Mozart's use of G minor[edit]
G minor has been considered the key through which Wolfgang Amadeus Mozart best expressed sadness and tragedy,[1] and many of his minor key works are in G minor, such as the Piano Quartet No. 1 and the String Quintet in G minor. Though Mozart touched on various minor keys in his symphonies, G minor is the only minor key he used as a main key for his numbered symphonies (No. 25, and the famous No. 40). In the Classical period, symphonies in G minor almost always used four horns, two in G and two in B♭ alto.[2] Another convention of G minor symphonies observed in Mozart's No. 25 and Mozart's No. 40 was the choice of E-flat major, the subdominant of the relative major B♭, for the slow movement, with other examples including Joseph Haydn's No. 39 and Johann Baptist Wanhal's G-minor symphony from before 1771.[3]
Notable works in G minor[edit]
- Arcangelo Corelli
- Henry Purcell
- 'Dido's Lament' from Dido and Aeneas
- Johann Sebastian Bach
- Sonata No. 1 in G minor, BWV 1001
- Fugue in G minor, 'Little', BWV 578
- Joseph Haydn
- Charles-Valentin Alkan
- Scherzo diabolico, Op. 39, No. 3
- 49 Esquisses, Op. 63, no. 6 'Les cloches'
- 49 Esquisses, Op. 63, no. 26 'Petit air, Genre ancien'
- Wolfgang Amadeus Mozart
- Felix Mendelssohn
- Frédéric Chopin
- Franz Liszt
- Johannes Brahms
- Camille Saint-Saëns
- Max Bruch
- Violin Concerto No. 1, Op. 26
- Pyotr Ilyich Tchaikovsky
- Antonín Dvořák
- Gabriel Fauré
- Sicilienne, Op. 78
- Claude Debussy
- String Quartet, Op. 10
- Isaac Albéniz
- Ralph Vaughan Williams
- Sergei Rachmaninoff
- Sergei Prokofiev
- Antonio Vivaldi
- Concerto for violin, strings, and continuo (RV 315), Op. 8 No. 2, 'Summer' from Le quattro stagioni, in Il cimento dell'armonia e dell'inventione
Vivaldi In G Minor Sheet Music
See also[edit]
References[edit]
- ^Hellmut Federhofer, foreword to the BärenreiterUrtext edition of Mozart's Piano Quartet in G minor. 'G-Moll war für Mozart zeitlebens die Schicksaltonart, die ihm für den Ausdruck des Schmerzes und der Tragik am geeignetsten erschien.' ('G minor was, for Mozart, the most suitable fate-key throughout his life for the expression of pain and tragedy.')
- ^H. C. Robbins Landon, Mozart and Vienna. New York: Schirmer Books (1991): 48. 'Writing for four horns was a regular part of the Sturm und Drang G minor equipment.' Robbins Landon also notes that Mozart's No. 40 was first intended to have four horns.
- ^James Hepokoski and Warren Darcy, Elements of Sonata Theory (Oxford University Press: 2006) p. 328
External links[edit]
- Media related to G minor at Wikimedia Commons
Vivaldi Concerto In G Minor 2nd Movement
Diatonicscales and keys | ||||||||||||||||||||||||||||||||||||||||||||||||||||||
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The table indicates the number of sharps or flats in each scale. Minor scales are written in lower case. |